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Abducted (Lizzy Gardner Series #1) [Kindle Edition] review


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"The satisfyingly frightful episode of an calculating cutthroat." ~Kirkus Reviews

Elizabeth Gardner (Lizzy) is seventeen-years old when she tells her parents she's venturing out together with her girlfriends. Instead, she meets up with Jared Shayne, her boyfriend of two years. As she walks home beneath an inky black sky, her perfect night becomes her worst nightmare.

Fourteen years later, Lizzy can be a licensed PI known because the "one who got away." When she's not seeking runaway teenagers, working on insurance scams, or talking to her therapist, she's at the local senior high school teaching young girls to defend themselves. But her world is turned inverted for the second time after she turns into a call from Jared Shayne. He's an FBI special agent now anf the husband needs her help. Lizzy doesn't have plans to have involved. Not until Jared tells her the kidnapper left her a personalised note.

Escaping from a madman really should have been the finish of her nightmare...but it had been exactly the beginning.

400 pages

Theresa Ragan has garnered six Golden Heart nominations in RWA's Golden Heart Competition.

Other books by Theresa Ragan include Finding Kate Huntley, Taming Mad Max, Return in the Rose, and A Knight in Central Park.

DEAD WEIGHT by T.R. Ragan - Book #2 inside the Lizzy Gardner Series available now!






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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that nobody else is protected either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one of the most talked about books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended like a trilogy. Did it actually end the best way you planned it through the beginning?

A: Very much so. While I did not know every detail, of course, the arc with the story from gladiator game, to revolution, to war, for the eventual outcome remained constant through the entire writing process.

Q: We understand you worked on the initial screenplay for the film being according to The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. When you're adapting a novel into a two-hour movie you simply can't take everything with you. The story has to get condensed to fit the modern form. Then there is the question of how best to consider a magazine told within the first person and provides tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss to get a second and therefore are privy to all or any of her thoughts so you may need a method to dramatize her inner world and to make it feasible for other characters to exist outside her company. Finally, there's the challenge of the easiest way to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lot of situations are acceptable on the page that wouldn't be on a screen. So how certain moments are depicted will ultimately be inside director's hands.

Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed inside the world you might be currently creating so fully that it is just too hard to take into consideration new ideas?

A: We have several seeds of ideas going swimming in my head but--given much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges and i also can start to develop it.

Q: The Hunger Games is an annual televised event through which one boy and one girl from each of the twelve districts is made to participate inside a fight-to-the-death on live TV. What can you think the appeal of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I have found very disturbing. There's also the opportunity for desensitizing the audience, to ensure whenever they see real tragedy playing out on, say, the news, it doesn't have the impact it should.

Q: If you were expected to compete within the Hunger Games, what do you believe your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I accustomed to be trained in sword-fighting, I guess my best hope will be to have hold of your rapier if there were one available. But the facts is I'd probably get in relation to a four in Training.

Q: What does one hope readers can come away with whenever they read The Hunger Games trilogy?

A: Questions about how precisely elements in the books might be relevant of their own lives. And, when they are disturbing, the things they might do about them.

Q: What were some of one's favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but on this occasion it is for world control. While it is often a clever twist on the original plot, this means that there's less focus on the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by showing her despair both at those she feels in charge of killing and possibly at her very own motives and choices. This is definitely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels and the victim of President Snow, who uses Peeta to make an endeavor to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but also respects the individuality and unique challenges of each from the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.






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Starred Review. Gr 7 Up--Every year in Panem, the dystopic nation that exists where the U.S. used to be, the Capitol holds a televised tournament in which two teen "tributes" from each of the surrounding districts fight a gruesome battle for the death. Inside Hunger Games, Katniss Everdeen and Peeta Mellark, the tributes from impoverished District Twelve, thwarted the Gamemakers, forcing these to let both teens survive. In this rabidly anticipated sequel, Katniss, again the narrator, returns home to locate herself more the midst of attention than ever. The sinister President Snow surprises her which has a visit, and Katniss’s fear when Snow meets along with her alone is both palpable and justified. Catching Fire is split into three parts: Katniss and Peeta’s mandatory Victory Tour with the districts, preparations for that 75th Annual Hunger Games, plus a truncated version from the Games themselves. Slower paced than its predecessor, this sequel explores the world of Panem: its power structure, rumors of the secret district, along with a spreading rebellion, ignited by Katniss and Peeta’s subversive victory. Katniss also deepens as a character. Though initially bewildered with the interest to her, she comes almost to embrace her status because the rebels’ symbolic leader. Though more in the story takes place beyond your arena than within, this sequel has enough action to impress Hunger Games fans and leaves enough questions tantalizingly unanswered for readers to become desperate for the next installment.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Reviewers were very happy to report that the Hunger Games trilogy is alive and well, and looked forward on the third book within the series after this one's stunning conclusion. But they disagreed over whether Catching Fire was just like the initial book Hunger Games or should be viewed as somewhat of your "sophomore slump." Several critics who remained unconvinced by Katniss's romantic dilemma made unfavorable comparisons on the human-vampire-werewolf love triangle in Stephenie Meyer's Twilight series. But most reviewers felt that Catching Fire had been a thrill because Collins replicated her initial success at balancing action, violence, and heroism in the method that will enthrall young readers without giving them (too many) nightmares.






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Starred Review. Reviewed by Megan Whalen Turner
If there really are only seven original plots in the world, it's odd that boy meets girl is usually mentioned, and society goes bad and attacks the nice guy never is. Yet we've Fahrenheit 451, The Giver, Your Home in the Scorpion—and now, following an extended tradition of Brave New Worlds, The Hunger Games. Collins hasn't tied her future to your specific date, or weighted it down with an excessive amount of finger wagging. Rather less 1984 and rather more Death Race 2000, hers is often a gripping story set inside a postapocalyptic world where a replacement for that Usa demands a tribute from each of the territories: two children to get used as gladiators in a televised fight towards the death.Katniss, from the thing that was once Appalachia, offers to take the host to her sister inside the Hunger Games, but after this ultimate sacrifice, jane is entirely dedicated to survival at any cost. It is her teammate, Peeta, who recognizes the significance of holding on to one's humanity in such inhuman circumstances. It's a credit to Collins's skill at characterization that Katniss, like a brand new Theseus, is cold, calculating yet still likable. She has the attributes to get a winner, where Peeta has got the grace being an excellent loser.It's no accident these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. the State of Panem—which needs to maintain its tributaries subdued and its citizens complacent—may have created the Games, but mindless television is the real danger, the means by which society pacifies its citizens and punishes those that fail to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, it makes this the proper book with the right time. What happens when we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all our sentences can finish while using same rise as questions. When Katniss is sent to stylists being made more telegenic before she competes, she stands naked before them, strangely unembarrassed. They're so unlike people that we're no more self-conscious than if a trio of oddly colored birds were pecking around my feet, she thinks. In order never to hate these creatures that are sending her to her death, she imagines them as pets. It isn't just the contestants who risk the loss with their humanity. It is who watch. Katniss struggles to win not merely the Games nevertheless the inherent contest for audience approval. Because this really is the first book in a series, not things are resolved, and what's left unanswered will be the central question. Has she sacrificed too much? We understand what she gets given approximately survive, and not if the price was too high. Readers will wait eagerly to learn more.
Megan Whalen Turner may be the author with the Newbery Honor book The Thief and it is sequels, The Queen of Attolia and The King of Attolia. The next book inside series will probably be published by Greenwillow in 2010.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Grade 7 Up -In a not-too-distant future, the United states of america of America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 12 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal intimidation with the subjugated districts, the televised games are broadcasted throughout Panem since the 24 participants are instructed to eliminate their competitors, literally, with all citizens necessary to watch. When 16-year-old Katniss's young sister, Prim, is selected because the mining district's female representative, Katniss volunteers to adopt her place. She and her male counterpart, Peeta, the son from the town baker who seems to have all the fighting skills of your lump of bread dough, will be pitted against bigger, stronger representatives who've trained because of this their whole lives. Collins's characters are completely realistic and sympathetic because they form alliances and friendships within the face of overwhelming odds; the plot is tense, dramatic, and engrossing. This book will definitely resonate with all the generation raised on reality shows like 'Survivor' and 'American Gladiator.' Book certainly one of a planned trilogy.Jane Henriksen Baird, Anchorage Public Library, AK
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.






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"Softly he brushed my cheek, then held my face between his marble hands. 'Be very still,' he whispered, as easily wasn't already frozen. Slowly, never moving his eyes from mine, he leaned toward me. Then abruptly, but very gently, he rested his cold cheek against the hollow on the base of my throat."
As Shakespeare knew, love burns high when thwarted by obstacles. In Twilight, an exquisite fantasy by Stephenie Meyer, readers discover a couple of lovers that are supremely star-crossed. Bella adores beautiful Edward, and the man returns her love. But Edward is a problem manipulating the blood lust she arouses in him, because--he's a vampire. At any moment, the intensity with their passion could drive him to kill her, and the man agonizes over the danger. But, Bella would prefer to be dead than part from Edward, so she risks her life to stay near him, and the novel burns while using erotic tension with their dangerous and necessarily chaste relationship.

Meyer has achieved quite a feat by considering making this scenario completely human and believable. She begins using a familiar YA premise (the new kid in school), and lulls us into thinking this is going to be just another realistic young adult novel. Bella comes towards the small town of Forks about the gloomy Olympic Peninsula to become along with her father. At school, she wonders in relation to a group of five remarkably beautiful teens, who sit together inside cafeteria but never eat. As she grows to know, and after that love, Edward, she learns their secret. They are all rescued vampires, part of the family headed by saintly Carlisle, who may have inspired them to renounce human prey. For Edward's sake they welcome Bella, but every time a roving band of tracker vampires fixates on her, the household is drawn into a desperate pursuit to safeguard the fragile human of their midst. The precision and delicacy of Meyer's writing lifts this excellent novel beyond the limitations in the horror genre to a place on this list of better of YA fiction. (Ages 12 and up) --Patty Campbell

10 Second Interview: A Number Of Words with Stephenie Meyer

Q: Were a fan of Buffy the Vampire Slayer? Angel? What are you watching now that people shows are off of the air?
A: I have never seen a whole episode of Buffy or Angel. While I was writing Twilight, I let my older sister read along chapter by chapter. She's an enormous Buffy fan and she or he kept looking to get me to watch, however was afraid it would mess up my vision with the vampire world so I never did.
I don't have a ton of time for TV, and the children get rowdy when I have on "mommy shows," but I really do possess a secret fondness for reality shows (the good ones, at the very least inside my opinion). I always TiVo Survivor, The Amazing Race, and America's Next Top Model.

Q: What inspired one to write Twilight? Is the beginning of the series? Why write for teens?
A: Twilight was inspired with a very vivid dream, which can be fairly faithfully transcribed as chapter thirteen with the book. You will find sequels around the way--I'm hard at the office editing book two (tentatively titled New Moon) right now, and book three is standing in line for the turn.
I didn't mean to write for teens--I didn't mean to write for anyone but myself, so I needed an audience of a single twenty-nine years old (and later one thirty-one yr old when my sister started reading). I do believe the reason i finished up with a book for teens happens because high school is such a compelling time period--it offers you some of your respective worst scars and some of the most exhilarating memories. It's a fascinating place: of sufficient age to feel truly adult, who are old enough to create decisions that affect the others of your respective life, of sufficient age to fall in love, yet, with the same time too young (in most cases) to be free to produce a great deal of those decisions without somebody else's approval. There's a great deal of scope for any novel in that.

Q: What is the favorite vampire story? Fave vampire movie?
A: I guess my favorite vampire story will be The Vampire Lestat, by Anne Rice, simply because it's one of the only ones I've ever read. I keep meaning to pick-up Bram Stoker's Dracula, because I buy asked this question so often and that i should probably start using the classics, on the other hand haven't gotten around into it yet. Again, I'm afraid to learn other vampire books now, for fear of finding things either too similar, or too distinctive from my own, personal vampire world.

Ack! I cannot even answer the movie question. I can't remember ever seeing a single vampire movie, outside clips from Bela Lugosi movies on TV. I can't like true horror movies--my favorite scary movies are Hitchcock's.

Q: What other young adult authors do you read?
A: My favorite young adult author is L.M. Montgomery I also enjoy J.K. Rowling (but who doesn't?), and Ann Brashares. As a teen, I skipped straight to adult books (lots of sci-fi and Jane Austen), so I'm rediscovering the entire world of adlescent literature now.
Stephenie Meyer's List of Books You Need To Read

Anne of Green Gables
Romeo and Juliet
Dragonflight
To Kill a Mockingbird
The Princess Bride

See more recommendations from Stephenie Meyer
Q&A with Stephanie Meyer
Q: What book has received the most significant impact on your own life?
A: The book with all the most significant impact on my every day life is the Book of Mormon. The book while using most significant impact on my own life like a writer might be Speaker for your Dead, by Orson Scott Card, with Rebecca by Daphne du Maurier to arrive as being a close second.

Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: The CD is easy: Absolution by Muse, hands down. It's harder to give myself just one movie, though the one I watch most frequently is Sense and Sensibility--the one with all the screenplay by Emma Thompson. One book is impossible. I'd have to have Pride and Prejudice, however i couldn't live without something by Orson Scott Card along with a nice, thick Maeve Binchy, too.

Q: What may be the worst lie you've ever told?
A: My lies are very, very boring: "No, you truly look good in hot pink!" "My children only watch one hour of TV a day." "I didn't eat the past Swiss Cake Roll--it must are actually one of the kids." That's the best I've got.

Q: Describe the right writing environment.
A: It's late into the evening and also the house is silent, but I'm still (miraculously) brimming with energy. We have my headphones in and i am listened with a combination of Muse, Coldplay, Travis, My Chemical Romance, and The All-American Rejects. Beside me is often a fabulous, nevertheless mysteriously low in calorie, cheesecake....

Q: In case you could write your personal epitaph, what would it say?
A: I'd want it to express that I really tried with the important things. I was never perfect at any one them, on the other hand honestly tried being a fantastic mom, a loving wife, a fantastic daughter, along with a true friend. Under that, I'd want a set of my personal favorite Simpsons quotes.

Q: Who will be the one person living or dead that you'd probably like to get dinner with?
A: I'd want to possess a chance to speak with Orson Scott Card--I have a very million questions for him. Mostly things like, "How does one come up with this particular stuff?!" But, if he wasn't available, I'd be satisfied with Matthew Bellamy (lead singer of Muse).

Q: If you could have one superpower, what can it be?
A: I'd want something offensive, instead of defensive. Like shooting fireballs from my hands. That way, you're really available to going either way--hero or villain. I prefer to own choices.

Starred Review. Grade 9 Up–Headstrong, sun-loving, 17-year-old Bella declines her mom's invitation to move to Florida, and instead reluctantly opts to maneuver to her dad's cabin in the dreary, rainy town of Forks, WA. She becomes intrigued with Edward Cullen, a distant, stylish, and disarmingly handsome senior, that is also a vampire. When he reveals that his specific clan hunts wildlife rather than humans, Bella deduces that she is safe from his blood-sucking instincts and so liberal to fall hopelessly in love with him. The impression is mutual, as well as the resulting volatile romance smolders since they attempt to hide Edward's identity from her family and the rest in the school. Meyer adds an eerie new twist on the mismatched, star-crossed lovers theme: predator falls for prey, human falls for vampire. This tension strips away any pretense readers might have in regards to the everyday teen romance novel, and kissing, touching, and talking take on an entirely new meaning when one small mistake could be life-threatening. Bella and Edward's struggle to make their relationship work becomes difficult for survival, especially when vampires from an outside clan infiltrate the Cullen territory and head straight for her. As a result, the novel's danger-factor skyrockets because the excitement of secret love and hushed affection morphs in to a terrifying race to stay alive. Realistic, subtle, succinct, and all to easy to follow, Twilight will have readers dying to sink their teeth into it.–Hillias J. Martin, Ny Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.






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